Built on the remains of the old Moorish mosque, the building started out as a Parish Church, ascending in importance, as Archiprestal (1281), Collegiate (1413) and finally becoming a Cathedral in 1510. Building started at the end of the 13th Century. It is of Levantine Gothic Style, with three naves and a gallery, a transept transformed by Pere Compte at the beginning of the 16th Century and side chapels between the buttresses. Of note inside is the ironwork, the Baroque organ, the work of Jacinto Perales and the choir stalls, made by Juan Bautista Borja and Tomás Llorens (1716-1718). The sacristy is home to the relics cabinet and cupboard, the work of José Ganga (1732-1734), holding diverse relics within a carved bust. On the outside, of note in the Tower, built between the late 13th Century and the mid-14th Century, the same as the three main gateways, The Puerta de Cadenas (14th Century), Puerta de Loreto (15th Century) and finally, the Portada de la Anunciación, completed by Juan Inglés in 1558.

This house was home to the poet and his family between 1914 and 1934. It was a farmhouse, much in line with others which existed in the same street in the early 20th Century. The museum retains the furniture and fittings typical of the area's homes from the last century, tougher with photographs from different moments of the poet's lifetime.

Situated in Gammelstad, the open-air museum Hägnan serves as a cultural-historical knowledge centre, offering a glimpse into the rich heritage of the North-Brabant coastal region. The museum features well-preserved buildings dating from the 1700s to the 20th century, creating an immersive village experience that brings history to life. In the summer, Hägnan transforms into a lively space with the addition of animals, including pigs, sheep, rabbits, and chickens, providing a delightful experience for visitors of all ages. As winter arrives, Hägnan becomes a festive hub with a Christmas market and a splendid fire festival.

The North Africa American Cemetery and Memorial honours 2,841 WWII soldiers who fell during the often-overlooked North African campaign. Spread across 27 acres, their headstones align in nine precise plots, divided by paths meeting at decorative pools. The chapel and memorial court feature mosaic maps detailing American military operations across Africa to the Persian Gulf. Their design blends seamlessly with local architecture, creating a space of quiet reflection.