At Palacio del Tempo, over 300 antique clocks are displayed among tapestries and frescoes, in a comprehensive and timeless collection. Next to it, a multimedia show depicts the story of Sherry in Jerez, a tradition that dates back thousands of years ago.

Carol Reed’s “The Third Man” (1949) remains a landmark of film noir, iconic in its atmospheric portrayal of post-war Vienna, the Anton Karas’s haunting zither score, and Orson Welles’s performance as the enigmatic Harry Lime. Voted the greatest British film of the 20th century, it captured a city divided by Allied occupation — a world of shadows, rubble, and moral ambiguity — while showcasing both Vienna’s grand landmarks and its gritty sewers. Operated by passionate private collectors, The Third Man Museum displays over 3,000 artefacts, from original scripts and film props to period documents illustrating Allied-occupied Vienna (1945–1955). The collection spans 16 rooms, offering deep context into the film’s production and its historical backdrop. Guided tours (75 minutes, in English) delve into cinematography, the impact of the zither score, and the city’s complex post-war reality. Note: cash only for entry. The above-ground Third Man Walking Tour, offered by independent guides, visits key filming locations in the Innere Stadt, including Josephsplatz and Mölkerbastei. Using film stills and audio clips, it recreates the film's mood while exploring Vienna’s historic centre. It focuses on the architectural and urban settings that shaped the story, without entering the sewers. Another tour, 3. Mann Tour – Sewer, descends into the functional sewers where the film’s climactic chase was shot. You’ll traverse walkways above flowing wastewater while projections of film scenes play on tunnel walls. It’s an immersive, if somewhat damp, experience. Tours are popular and require advance booking.

The Mother Teresa Statue is dedicated to the Nobel Peace Prize winner and famous matriarch of Skopje, born as Gondza Bojadziu in 1910. A symbol of inspiration and spirituality, the statue is located on the same street where Mother Teresa was baptized.

La Marsa offers a refined coastal escape just north of Carthage, where the creatives of Tunis mingles with sunseekers along a lively corniche. The main beach draws families for summer swims, while off-season sees fishermen casting lines from the sand. What distinguishes this stretch is its evolving cultural scene: skateboarders carve concrete slopes by day as musicians strum under the palms, creating an organic performance space above the shore. The neighborhood’s architectural legacy reveals its bourgeois roots. Whitewashed villas with intricate mashrabiya screens stand guard along avenues lined with jacaranda trees. Recent years have brought a creative influx, with designers and musicians transforming old seaside residences into studios. While the western edges fade into industrial zones, the heart of La Marsa retains its aspirational charm, particularly around Avenue Habib Bourguiba where pavement cafés serve mint tea with Mediterranean views.