According to tradition, this church was constructed on the site of the former Gothic Parish of Saint Julian after the image of the Virgin Mary was unearthed following the city's recapture from Moorish rule. The building is a Baroque temple designed in the shape of a Latin cross, with a Neoclassical facade displaying the anagram of Our Lady of Monserrate. Inside, the Hallazgo chapel contains a cave where the image of the Virgin Mary is believed to have appeared. Above this site, the old niche is now dedicated to the Cristo de la Buena Muerte. The high altar is home to the niche containing the Virgin of Monserrate, the city's patron saint.

Nuremberg’s oldest town church St. Sebald dates back to approx. the year 1215. The church is located underneath the Imperial Castle and contains important works of art such as the imposing 4.17 meter high tomb built by the artist Peter Vischer - the bones of Nuremberg's patron saint Sebaldus are presumed to rest here. The famous Nuremberg painter Albrecht Dürer was baptized and got married there. Destroyed during World War II, St. Sebald was reconstructed in 1957.

The bastion itself might not be much to look at, but the views that open up beneath are some of the best one can get. Take the walk uphill from Sarajevo's historic old town, passing the sobering cemeteries to those who fell in the Bosnian War, and reach the sole open-air café with unbeatable vistas.

Constructed on the site of a former mosque from the Islamic city, this church dates back to between 1402 and 1417, according to the oldest documented evidence. Featuring a single nave design and side chapels nestled between buttresses, the original Gothic structure has undergone significant modifications due to restorations and extensions carried out between the 16th and 18th centuries. Notable elements within the church include a Renaissance presbyter, shaped like a triumphal arch, and the chapel dedicated to the Holy Family (1765-1766), which showcases the artistic influence of sculptor Francisco Salzillo. The main entrance of the church, adorned with the shield of the Catholic Monarchs at its peak, is in the Isabelline Gothic style. In contrast, the adjoining communion chapel exhibits a more Baroque aesthetic, featuring an entrance constructed between 1726 and 1735.