If you are looking for a sunset location, Pre Rup is your best bet. The temple is one of the highest in the area and also a combined construction of bricks, laterite and sandstone, in a similar architectural style as that of the East Mebon. Wandering through the paths at Pre Rup is an extraordinary experience.

Before Opatija became a holiday resort, Volosko was the seat of the district, an important trade port and the area's administrative centre. Today Volosko has lost that importance, but not its magical appeal as a picturesque fishing village, an inexhaustible source of inspiration to artists, a haven to those searching for peace in the narrow lanes of the old town, or for a cup of coffee on the waterfront, in the unique atmosphere of the harbour. There is something very special about the view of the sea from Volosko's waterfront: the whole Adriatic seems to open up towards the south from here… When walking through the lanes in the historic part of the town, you will come across the monument commemorating Volosko as the birthplace of Andrija Mohorovičić, the world-famous scientist who first identified the discontinuity that separates the Earth's crust from the mantle. This layer is called the Mohorovičić Discontinuity, or Moho for short. He was born in the house at the very beginning of the Lungomare coastal promenade. Today Volosko is also synonymous with fine gastronomy – from typical taverns offering fish and other traditional dishes of the local area, to superb gourmet restaurants that are listed in the most prestigious international restaurant guides – Volosko offers all of that, and much more. It is only a pleasant three-kilometre stroll along the coastal promenade from where you are now standing. Do not miss the chance to pay this enchanting place a visit!

Victory Arch or The Swords of Qadisiyyah, also known as the Hands of Victory, is one of Baghdad’s more striking monuments. It features two colossal statues of hands holding crossed swords that arch above the road. Erected during Saddam Hussein’s regime, it reflects the era’s characteristic style of monumental propaganda.