In the Céramique district, you still feel the industrial past, even though you’re standing in the newest and most modern part of the city. It’s the kind of place where you look up and keep looking, to take in the impressive architecture, even as the ground around you buzzes with culture and activity. Céramique arose in the early 1990s on the site of ‘Société Céramique,’ a ceramics factory that operated from 1850 to 1985, best known for its tableware. When the factory was offered for sale to the municipality in the late 1980s, the idea to redevelop the area as a quality residential and commercial district quickly emerged, and Government Architect Jo Coenen was engaged to develop a master plan. One of his fundamental premises was to bring something of a Mediterranean feel to this part of the city. To achieve this, he brought in luminary architects from southern Europe for the design of the various residential and business complexes. The result is a total package of architectural high point after high point, like Mario Botta’s ‘La Fortezza,’ Alvaro Siza’s ‘Tower of Siza,’ and perhaps the crowning glory, Aldo Rossi’s Bonnefanten Museum. But despite all the forward-looking architecture, the connection to the past remains, in the street names, remnants of older buildings and tableware that turn up unexpectedly, and the exhibitions in the Bonnefanten Museum and Centre Céramique. Each and every one is a golden thread of history interwoven into the fabric of today.

A more traditional, if a bit bohemian, part of town, San Telmo's cobblestone streets and colonial style houses are all about antique-hunting, people-watching and tango. The streets are lined with top-notch steakhouses and quaint shops where you can get lost for hours. Be sure to check out the Sunday market for great deals on some unique antiques.

Frankfurt Cathedral, with its 95-metre tower, dominates the city centre's skyline. Dedicated to St Bartholomew in 1239, it became the site of imperial coronations for the Holy Roman Empire, with ten kings crowned here between 1562 and 1792.

Just behind the ruins of Memphis, this 8-metre-long statue was carved from a single block of alabaster. It’s smaller than the Giza Sphinx but still impressive up close. No one’s entirely sure who it represents — maybe Hatshepsut or Amenhotep II — which just adds to the mystery. It’s a quick stop, but worth it if you’re already in the area.