This monastery dates back to 1301, and it was built by the citizens of Dubrovnik who were ordered to work on it by the local authorities. The attached museum contains an impressive selection of arts from sixteenth-century Dubrovnik including votive jewellery, relics, manuscripts, valuable documents and much more.

Designated as an International Tourist Interest event, Holy Week in Orihuela is one of the oldest religious and cultural celebrations in the southeastern region of Spain. Easter in Orihuela is renowned not only for its monuments, landscapes, traditions, and Mediterranean light but also for its rich history and artistic qualities. Art and passion intertwine during this special week, engaging all five senses: the vibrant colors of spring, the aroma of incense, the sound of drums playing the traditional Easter hymn "Canto de la Pasión," and the taste of local delicacies. Thousands of people come together to appreciate the "Very Noble, Loyal, and Forever Faithful City of Orihuela," which serves as a symbol of Mediterranean charm, blending seamlessly with the warmth and hospitality of the local residents.

Constructed on the site of a former mosque from the Islamic city, this church dates back to between 1402 and 1417, according to the oldest documented evidence. Featuring a single nave design and side chapels nestled between buttresses, the original Gothic structure has undergone significant modifications due to restorations and extensions carried out between the 16th and 18th centuries. Notable elements within the church include a Renaissance presbyter, shaped like a triumphal arch, and the chapel dedicated to the Holy Family (1765-1766), which showcases the artistic influence of sculptor Francisco Salzillo. The main entrance of the church, adorned with the shield of the Catholic Monarchs at its peak, is in the Isabelline Gothic style. In contrast, the adjoining communion chapel exhibits a more Baroque aesthetic, featuring an entrance constructed between 1726 and 1735.

Built on the remains of the old Moorish mosque, the building started out as a Parish Church, ascending in importance, as Archiprestal (1281), Collegiate (1413) and finally becoming a Cathedral in 1510. Building started at the end of the 13th Century. It is of Levantine Gothic Style, with three naves and a gallery, a transept transformed by Pere Compte at the beginning of the 16th Century and side chapels between the buttresses. Of note inside is the ironwork, the Baroque organ, the work of Jacinto Perales and the choir stalls, made by Juan Bautista Borja and Tomás Llorens (1716-1718). The sacristy is home to the relics cabinet and cupboard, the work of José Ganga (1732-1734), holding diverse relics within a carved bust. On the outside, of note in the Tower, built between the late 13th Century and the mid-14th Century, the same as the three main gateways, The Puerta de Cadenas (14th Century), Puerta de Loreto (15th Century) and finally, the Portada de la Anunciación, completed by Juan Inglés in 1558.