In the Céramique district, you still feel the industrial past, even though you’re standing in the newest and most modern part of the city. It’s the kind of place where you look up and keep looking, to take in the impressive architecture, even as the ground around you buzzes with culture and activity. Céramique arose in the early 1990s on the site of ‘Société Céramique,’ a ceramics factory that operated from 1850 to 1985, best known for its tableware. When the factory was offered for sale to the municipality in the late 1980s, the idea to redevelop the area as a quality residential and commercial district quickly emerged, and Government Architect Jo Coenen was engaged to develop a master plan. One of his fundamental premises was to bring something of a Mediterranean feel to this part of the city. To achieve this, he brought in a luminary architects from southern Europe for the design of the various residential and business complexes. The result is a total package of architectural high point after high point, like Mario Botta’s ‘La Fortezza,’ Alvaro Siza’s ‘Tower of Siza,’ and perhaps the crowning glory, Aldo Rossi’s Bonnefanten Museum. But despite all the forward-looking architecture, the connection to the past remains, in the street names, remnants of older buildings and tableware that turn up unexpectedly, and the exhibitions in the Bonnefanten Museum and Centre Céramique. Each and every one is a golden thread of history interwoven into the fabric of today.

You’ll feel like you’ve crossed the border, but you’re not quite there yet. Of course, you’re aware that Maastricht’s central location in the Euregio means you can be in Belgium very quickly. But you don’t really feel it until you see how the city, and the countryside around it, is layered with a unique mix of foreign influences. With the Sint Pietersberg hill, the historic caves, the vineyards, Fort Sint Pieter, and Château Neercanne as backdrop, this part of the city has everything you need to capture that holiday feeling. Sint Pieter was its own municipality until 1920. This part of the city was always outside the city walls (and so had it the toughest in times of war). Then, it was mainly farmers who lived here; now, it’s mostly families, epicureans, and a few descendants of the inhabitants of that old Sint Pieter. Today, Sint Pieter is Maastricht’s most popular residential district, not just for its beautiful houses but because of its ideal location between city and green. And it still feels like its own town, with its own social life, and charm, even though it’s just a stone’s throw away from the city park. In fact, it has the best of both worlds: village and city. Nature and culture.

A small, intimate gallery focusing on local and national artists. The two floors feature a variety of artworks, from paintings and sculptures to ceramic and glass works.