Built on the remains of the old Moorish mosque, the building started out as a Parish Church, ascending in importance, as Archiprestal (1281), Collegiate (1413) and finally becoming a Cathedral in 1510. Building started at the end of the 13th Century. It is of Levantine Gothic Style, with three naves and a gallery, a transept transformed by Pere Compte at the beginning of the 16th Century and side chapels between the buttresses. Of note inside is the ironwork, the Baroque organ, the work of Jacinto Perales and the choir stalls, made by Juan Bautista Borja and Tomás Llorens (1716-1718). The sacristy is home to the relics cabinet and cupboard, the work of José Ganga (1732-1734), holding diverse relics within a carved bust. On the outside, of note in the Tower, built between the late 13th Century and the mid-14th Century, the same as the three main gateways, The Puerta de Cadenas (14th Century), Puerta de Loreto (15th Century) and finally, the Portada de la Anunciación, completed by Juan Inglés in 1558.

It was built on a site of a Jesus college. It was a foundation, set up by clerics from Madrid's Royal Monastery (Monasterio de la Visitación), under the patronage of the princes Carlos María Isidro de Borbón and his wife, María de Asís de Braganza y Borbón. The monastery was built in neoclassical style, between 1826 and 1832. On the outside, the facade is made from black and red marble, featuring the shields of Spain and Portugal, Saint Charles Borromeo, Saint Jane of Chantal and Saint Francis of Assisi. Inside the church, built in the shape of a Latin cross, there is an interesting collection of religious paintings by the Court painter, Vicente López and his school (Valencia)

This house was home to the poet and his family between 1914 and 1934. It was a farmhouse, much in line with others which existed in the same street in the early 20th Century. The museum retains the furniture and fittings typical of the area's homes from the last century, tougher with photographs from different moments of the poet's lifetime.