If you're interested in watches, this museum houses an important collection of timepieces from the 16th century onward and the finest creations of this Geneva-based watchmaker. Nowhere else is the Swiss passion for clocks, watches and the passing of time as obvious as here.

This magnificent sight on Sint-Baafsplein in Ghent is a proud old lady: don’t just walk past her on your city trip. St Bavo’s Cathedral is the oldest parish church in the lively heart of Ghent. It stands on the site of a 10th century church and a 12th century Romanesque church. The latter was dedicated to St John the Baptist. In the Middle Ages, Ghent was a rich and powerful city that had the means to commission ever-larger and more opulent churches. So the Church of St John the Baptist was converted during the 15th and 16th centuries into the imposing Gothic St Bavo’s Cathedral. Looking for a weekend getaway that is just that little bit different? Do you like to explore off the beaten track? Welcome to Ghent, the city of rebels! St Bavo’s Cathedral literally carries Ghent’s rebellious history in its very stones. In the crypt, the Romanesque style can still be seen in the central nave. In the 15th century, it was decided that the Romanesque structure would be replaced with a larger Gothic church that was completed in 1559. In 1540, the church became the seat of the Chapter of St Bavo, and St Bavo became the patron saint of the church. Later, in 1559, the church was converted into the cathedral of the Bishops of Ghent. St Bavo’s Cathedral has a rich history and it is also filled with art treasures that make many an art-lover’s mouth water: from the baroque high altar in white, black and red flamed marble, the Rococo pulpit in oak, gilded wood and marble, to a masterpiece by Rubens: Saint Bavo enters the Convent at Ghent, and the Calvary Triptych by Justus van Gent, the Gothic chandelier/sanctuary lamp, the opulent tombs of the Bishops of Ghent – and of course the world-famous Mystic Lamb. Admire the divine glow of ‘The Adoration of the Mystic Lamb’ by the Van Eyck brothers in St Bavo’s Cathedral. Read all about this famous work by the Flemish Primitives. Do you want to visit the Mystic Lamb? Find out the opening hours of the chapel where the Mystic Lamb is on display at St Bavo’s Cathedral. ‘Festive’ view of the city of Ghent You can only go up the tower of St Bavo’s Cathedral during the Ghent Festivities. Negotiate the stairs and enjoy the magnificent view of this unique party for the people in the heart of Ghent. At other times of the year, you can enjoy the most beautiful view of Ghent from directly beneath the golden dragon, Ghent’s mascot, on the Belfry tower opposite. From there you can continue exploring the heart of Ghent. Anything goes.

Sugar Creek Gem Mine is the perfect place for children or adults who want to have an unusual and exciting experience. Mimic the prospectors of centuries ago with a bucket of your own. Find an impressive variety of gems: amethysts, sapphires, quartz, emeralds, rubies, red jasper, garnets, aquamarines and more. Mining a 5-gallon bucket lasts around 1 hour.

The Mystic Lamb, or ‘The Adoration of the Mystic Lamb’ by the Van Eyck brothers, completed in 1432, is recognised worldwide as a great work of art, and one of the most influential paintings ever made. It is an absolute must-see on your weekend break to Ghent. A total of 18 panels form a magical evocation of scenes from the Bible, as well as a portrait of the church warden, Joos Vijd, who commissioned the altarpiece, and his wife Elisabeth Borluut. The monumental Mystic Lamb was painted on oak panels covered in thin layers of a mixture of chalk and animal glue. The figures were applied in several layers of oil paint. The combination of the painstaking work and transparent paint creates an extra dimension. Discover it for yourself as you stand in front of this masterpiece. You will see that an inner glow seems to radiate from the painting: the light of the divine. Hubert van Eyck painted part of the Ghent Altarpiece that includes the Mystic Lamb, but was never able to finish it. His younger brother Jan, an absolute master of the art of painting, is said to have finished this masterpiece a few years after Hubert’s death.