Kelaniya Raja Maha Viharaya is one of the most important Buddhist temples in the country. Believed to be sanctified during Buddha's third visit to Sri Lanka, the original temple was destroyed on two different occasions by invaders from India, and later from Portugal. Restored in the 18th century by the Dutch, it contains historic statues and paintings that preserve the spirit of past ages.

Another one of the city's many religious structures, the Saint Nedelja Church dates back to as early as the 16th century, and can be found in the heart of Sofia. If you enjoy old icons and beautiful architecture, stop by along the route of your itinerary.

Hike, mountain bike or ride horseback through the Sierra Nevada Mountains utilizing this trail system that continues to grow to connect the communities along Ebbett's Pass. Discover the stunning vistas and panoramic views of Mt. Diablo in the East Bay Area, to snowy Mt. Lyell on the eastern slopes of the Sierras near Yosemite. Descend into canyons of streams and enjoy the shade of cedar, pine, fir, and oak forests.

In the Céramique district, you still feel the industrial past, even though you’re standing in the newest and most modern part of the city. It’s the kind of place where you look up and keep looking, to take in the impressive architecture, even as the ground around you buzzes with culture and activity. Céramique arose in the early 1990s on the site of ‘Société Céramique,’ a ceramics factory that operated from 1850 to 1985, best known for its tableware. When the factory was offered for sale to the municipality in the late 1980s, the idea to redevelop the area as a quality residential and commercial district quickly emerged, and Government Architect Jo Coenen was engaged to develop a master plan. One of his fundamental premises was to bring something of a Mediterranean feel to this part of the city. To achieve this, he brought in a luminary architects from southern Europe for the design of the various residential and business complexes. The result is a total package of architectural high point after high point, like Mario Botta’s ‘La Fortezza,’ Alvaro Siza’s ‘Tower of Siza,’ and perhaps the crowning glory, Aldo Rossi’s Bonnefanten Museum. But despite all the forward-looking architecture, the connection to the past remains, in the street names, remnants of older buildings and tableware that turn up unexpectedly, and the exhibitions in the Bonnefanten Museum and Centre Céramique. Each and every one is a golden thread of history interwoven into the fabric of today.